You may remember a post last month when I explored the Indian mascot debate.
Not only is the point relevant because of the Mukwonago situation, but also because today begins the 1st Annual Native American Film Festival in Wisconsin.
Native Punx, the organization behind the film festival, has a website detailing all of the information, but let me give you the short and sweet of it.
Where: Marquette University
When: October 14 - 17, 2010
Why: Because it increases your knowledge through everyone's favorite medium: movies.
Okay, seriously though, if you can attend any of the events you should. See the Facebook page for exact films, times, and locations.
Tonight there are a series of shorts followed by a discussion on the Indian mascot issue. Saturday evening boasts a Q&A with Ada Deer, who will discuss her experiences in an Indian boarding school during the U.S. assimilation policy, after the screening of The Only Good Indian (is a dead one as the white settler lexicon of the 1800's goes).
It's a little known fact that Native Americans make good films, and it's an even lesser-known fact that they still aren't always treated with respect and equality in mainstream films - either in their representation or on set.
I could go on an on, but I won't bore you. If you have any questions feel free to contact me or leave a comment.
Hope to see you there!
Thursday, October 14, 2010
Wednesday, October 13, 2010
Review: Waiting for Superman
I was lucky enough to catch a free screening of Waiting for Superman last night at the Oriental. The controversial documentary, which takes a closer look at the American public school system and its failures, opens on Friday at a theater near you.
This film also screened at the Milwaukee Film Festival to a sold out theater, which is why I missed it then. I heard from viewers that it takes an unfair stance against the public school system, highlights charter schools as the end all be all, and paints the teacher's unions as the main, evil obstacle to reform.
I found out that these were not only overly simplistic criticisms, but also not entirely true when taken in the context of the entire film.
Guggenheim does show the major pitfalls to reform, showcases some of the worst public schools in the country, and highlights some of the best charter schools. Sure, it's a little biased. But I think the main point of the film is that the system is broken. What it was designed to do in the 1950's is no longer relevant to the reality of today's job market or what our country needs in educated workers in order to be globally competitive.
As my friend, an educator, stated after the film, if all this documentary does is raise awareness of the problem and all of the underlying, systemic issues that reform faces, then it was successful. (J - I paraphrased)
One of the most surprising things I learned was that American schools do employ - to some extent - the track system similar to that of European schools, and of which I'm not sure many of us were aware.
In Europe, students are tested throughout their time in school - much like the U.S. - and based upon the results of those tests are put on certain career tracks. For example, when I taught in Hungary, my students prepared for their Matura examinations. Their choice of university - and subsequent career - was based upon the marks they received. This was mainly because university is free in Hungary for any student who gets the marks to attend.
In the U.S. we would know this as Gifted & Talented programs - students who perform best on the tests are put into these higher-learning programs with a lower student-to-teacher ratio and higher expectations.
If it's one thing I know, kids will fulfill your expectations. This film proved that. Whether those expectations are high or low, and what they achieve according to those expectations, is up to us.
Students who do not perform well on the tests remain in their class, likely with a higher student-to-teacher ratio, or if they perform abysmally, are sent for remedial learning. What winds up happening is that students are broken into three groups: those who will become leaders (doctors, lawyers, CEOs), those who will become skilled professionals (accountants, managers, etc), and those who will become workers.
Sure, it doesn't apply to everyone and there is room to move beyond your track if you're an exceptional student, but as one mother in the film said, it's the difference between having a career and having a job.
I also found it interesting that the filmmakers suggest that it's not poor neighborhoods that develop poor schools, but vice versa. I think there's proof in this theory. Just look at some of the wonderful things happening in the neighborhoods of good schools in Milwaukee. Bruce Guadalupe Community School (and the United Community Center, by extension), for one.
Yes, our system is broken, but it's not the fault of just any one factor. Reform needs to happen, proven success from model programs needs to be adapted and scaled to make a larger impact, and adults need to be able to keep it about the kids. As Michelle Rhee, Chancellor of D.C. Public Schools - and controversial reformer - said, "it becomes about the adults," and that's when we hit the hardest roadblock to achievement.
Bonus:
What's interesting is that the Washington Post just reported that Michelle Rhee, Chancellor of D.C. Public Schools will announce her resignation later today, effective at the end of the month. I can't help but feel that with this film poised to make a major impact on the nation, possibly upcoming elections, and our overall thought process and awareness, that this is crappy timing.
This film also screened at the Milwaukee Film Festival to a sold out theater, which is why I missed it then. I heard from viewers that it takes an unfair stance against the public school system, highlights charter schools as the end all be all, and paints the teacher's unions as the main, evil obstacle to reform.
I found out that these were not only overly simplistic criticisms, but also not entirely true when taken in the context of the entire film.
Guggenheim does show the major pitfalls to reform, showcases some of the worst public schools in the country, and highlights some of the best charter schools. Sure, it's a little biased. But I think the main point of the film is that the system is broken. What it was designed to do in the 1950's is no longer relevant to the reality of today's job market or what our country needs in educated workers in order to be globally competitive.
As my friend, an educator, stated after the film, if all this documentary does is raise awareness of the problem and all of the underlying, systemic issues that reform faces, then it was successful. (J - I paraphrased)
One of the most surprising things I learned was that American schools do employ - to some extent - the track system similar to that of European schools, and of which I'm not sure many of us were aware.
In Europe, students are tested throughout their time in school - much like the U.S. - and based upon the results of those tests are put on certain career tracks. For example, when I taught in Hungary, my students prepared for their Matura examinations. Their choice of university - and subsequent career - was based upon the marks they received. This was mainly because university is free in Hungary for any student who gets the marks to attend.
In the U.S. we would know this as Gifted & Talented programs - students who perform best on the tests are put into these higher-learning programs with a lower student-to-teacher ratio and higher expectations.
If it's one thing I know, kids will fulfill your expectations. This film proved that. Whether those expectations are high or low, and what they achieve according to those expectations, is up to us.
Students who do not perform well on the tests remain in their class, likely with a higher student-to-teacher ratio, or if they perform abysmally, are sent for remedial learning. What winds up happening is that students are broken into three groups: those who will become leaders (doctors, lawyers, CEOs), those who will become skilled professionals (accountants, managers, etc), and those who will become workers.
Sure, it doesn't apply to everyone and there is room to move beyond your track if you're an exceptional student, but as one mother in the film said, it's the difference between having a career and having a job.
I also found it interesting that the filmmakers suggest that it's not poor neighborhoods that develop poor schools, but vice versa. I think there's proof in this theory. Just look at some of the wonderful things happening in the neighborhoods of good schools in Milwaukee. Bruce Guadalupe Community School (and the United Community Center, by extension), for one.
Yes, our system is broken, but it's not the fault of just any one factor. Reform needs to happen, proven success from model programs needs to be adapted and scaled to make a larger impact, and adults need to be able to keep it about the kids. As Michelle Rhee, Chancellor of D.C. Public Schools - and controversial reformer - said, "it becomes about the adults," and that's when we hit the hardest roadblock to achievement.
Bonus:
What's interesting is that the Washington Post just reported that Michelle Rhee, Chancellor of D.C. Public Schools will announce her resignation later today, effective at the end of the month. I can't help but feel that with this film poised to make a major impact on the nation, possibly upcoming elections, and our overall thought process and awareness, that this is crappy timing.
Monday, October 11, 2010
@Muse in Milwaukee, A Short Review
This update is a few days overdue, but it's taken me that long to come down from the ocular and auditory high I received at Muse's Bradley Center show.
First, the opening act, Passion Pit, about which I only have the following to say (in the form of a conversation had during their set):
J: Wait, is their band name Passion Pit or Passion Fruit?
MsQ: Wait, I thought we were listening to MGMT...
Let's just hope Passion Pit doesn't pull a Stephenie Meyer and claim they've never heard of MGMT and, therefore, wouldn't count them as an influence.
Now, to Muse.
The show was, in a word, Epic. Yes, with a capital E.
Though the UK alternative rock band boasts 3 multi-talented members (seriously, no one should be allowed to be as talented as Matthew Bellamy), it is this author's opinion that the video for this arena tour should count as the fourth (not to mention the man-in-black/on-stage-roadie spotted adding to the mix).
Seriously, though, whatever they paid the concert stage designer and video director was not enough. Exhibit A:
I especially appreciated the effects for the show's opener of Uprising.
Ti molodyets, Comrade!
Not to mention the social commentary during United States of Eurasia. It was especially moving in light of the recent rash of news reports linking bullying - especially toward the LGBT community - to student suicides.
All in all, Muse put on a fantastic show, further proving my theory that the number of semi trucks (at least 2 dozen for this show) required to haul the set from venue to venue is in direct proportion to the awesomeness of said show.
First, the opening act, Passion Pit, about which I only have the following to say (in the form of a conversation had during their set):
J: Wait, is their band name Passion Pit or Passion Fruit?
MsQ: Wait, I thought we were listening to MGMT...
Let's just hope Passion Pit doesn't pull a Stephenie Meyer and claim they've never heard of MGMT and, therefore, wouldn't count them as an influence.
Now, to Muse.
The show was, in a word, Epic. Yes, with a capital E.
Though the UK alternative rock band boasts 3 multi-talented members (seriously, no one should be allowed to be as talented as Matthew Bellamy), it is this author's opinion that the video for this arena tour should count as the fourth (not to mention the man-in-black/on-stage-roadie spotted adding to the mix).
Seriously, though, whatever they paid the concert stage designer and video director was not enough. Exhibit A:
I especially appreciated the effects for the show's opener of Uprising.
Ti molodyets, Comrade!
Not to mention the social commentary during United States of Eurasia. It was especially moving in light of the recent rash of news reports linking bullying - especially toward the LGBT community - to student suicides.
All in all, Muse put on a fantastic show, further proving my theory that the number of semi trucks (at least 2 dozen for this show) required to haul the set from venue to venue is in direct proportion to the awesomeness of said show.
Monday, October 4, 2010
#mff2 Part 3: Eastern Europe
It's no secret that I have a general interest in all things Eastern Europe.
I'd be lying if I didn't admit to an ardent love of halusky, langos, and Soproni.
This is likely why I was drawn to the following two films during the Milwaukee Film Festival. The first deals with cooking, and I love me some of that, and the second is set in the midst of the Carpathian mountains and is presented partly in Hungarian. You know I especially appreciate that.
Cooking History
This film spans almost a century of war, and investigates what is was like for those soldiers who were commissioned to cook for their thousands of brethren on the battlefield. Through stalwart interviews sometimes presented tongue-in-cheek by the filmmakers, we get to hear war stories from those who fought a different sort of battle - feeding thousands of soldiers utilizing a cooking space sometimes the size of a postage stamp.
Each set of interviews is accompanied by a recipe that will feed the soldiers in question. A little known fact is that a pinch of salt makes most everything palatable.
Overall this film was at times funny, other times poignant, and always entertaining. A true storyteller's documentary.
My only comment is to remind the audience that even though you may buy your meat in cellophane-wrapped styrofoam trays, yes, the animals still had to be killed in the process. Even though you, as a consumer in America, are far removed from any food growing/harvesting/butchering process, it's far past the time you remember where it comes from. So stop harrumphing, covering your eyes, and gasping with outrage when you see that chicken's neck broke or that cow's vein cut open in the film. After all - a dirty secret you likely don't want to hear - animals are kept and killed far less humanely in our U.S. mass-produced food system than what you saw here.
Katalin Varga
I really wanted to like this film. During the screening I kept reminding myself how beautiful Hungarian and Romanian countrysides are as I closed my eyes and listened to them speak in those lovely, melodic native languages. I reminded myself that I was supposed to like this film and be its champion. I was transported back to my time in Hungary, convincing myself that I should like this film based on that tie alone.
But it didn't work.
Until the end.
To say I was highly disappointed with the cinematography would be an understatement. I think my 5-year-old Sony handycam could do a better job of capturing what were supposedly breathtaking views of the Carpathian mountains. We'll never know. The scenes ended up flat and sometimes just awkward depending on the camera angle.
The filmmakers also did that stupid shaky camera thing that, I think, filmmakers believe either a) makes things seem scarier, or b) makes things seem more "real," but really just gives the audience a headache and makes me, personally, not want to look at the screen.
But the story was awesome...unsettling...disturbing...heartbreaking...and loving.
And the end...
The end made all the rest of it so worth it.
On a somewhat mff2-related topic: I'm happy to report that I won a screening pass for two from OnMilwaukee.com to see Waiting for Superman next week. I was so disappointed to have missed this film at the festival - the 2010 Allan H. (Bud) & Suzanne L. Selig Audience Award winner. I'll have a little recap next week.
I'd be lying if I didn't admit to an ardent love of halusky, langos, and Soproni.
This is likely why I was drawn to the following two films during the Milwaukee Film Festival. The first deals with cooking, and I love me some of that, and the second is set in the midst of the Carpathian mountains and is presented partly in Hungarian. You know I especially appreciate that.
Cooking History
This film spans almost a century of war, and investigates what is was like for those soldiers who were commissioned to cook for their thousands of brethren on the battlefield. Through stalwart interviews sometimes presented tongue-in-cheek by the filmmakers, we get to hear war stories from those who fought a different sort of battle - feeding thousands of soldiers utilizing a cooking space sometimes the size of a postage stamp.
Each set of interviews is accompanied by a recipe that will feed the soldiers in question. A little known fact is that a pinch of salt makes most everything palatable.
Overall this film was at times funny, other times poignant, and always entertaining. A true storyteller's documentary.
My only comment is to remind the audience that even though you may buy your meat in cellophane-wrapped styrofoam trays, yes, the animals still had to be killed in the process. Even though you, as a consumer in America, are far removed from any food growing/harvesting/butchering process, it's far past the time you remember where it comes from. So stop harrumphing, covering your eyes, and gasping with outrage when you see that chicken's neck broke or that cow's vein cut open in the film. After all - a dirty secret you likely don't want to hear - animals are kept and killed far less humanely in our U.S. mass-produced food system than what you saw here.
Katalin Varga
I really wanted to like this film. During the screening I kept reminding myself how beautiful Hungarian and Romanian countrysides are as I closed my eyes and listened to them speak in those lovely, melodic native languages. I reminded myself that I was supposed to like this film and be its champion. I was transported back to my time in Hungary, convincing myself that I should like this film based on that tie alone.
But it didn't work.
Until the end.
To say I was highly disappointed with the cinematography would be an understatement. I think my 5-year-old Sony handycam could do a better job of capturing what were supposedly breathtaking views of the Carpathian mountains. We'll never know. The scenes ended up flat and sometimes just awkward depending on the camera angle.
The filmmakers also did that stupid shaky camera thing that, I think, filmmakers believe either a) makes things seem scarier, or b) makes things seem more "real," but really just gives the audience a headache and makes me, personally, not want to look at the screen.
But the story was awesome...unsettling...disturbing...heartbreaking...and loving.
And the end...
The end made all the rest of it so worth it.
On a somewhat mff2-related topic: I'm happy to report that I won a screening pass for two from OnMilwaukee.com to see Waiting for Superman next week. I was so disappointed to have missed this film at the festival - the 2010 Allan H. (Bud) & Suzanne L. Selig Audience Award winner. I'll have a little recap next week.
Friday, October 1, 2010
#mff2 Part 2 - A MUST SEE
I spent last night with the Milwaukee Film Festival in a double feature at North Shore. In my #mff2 Part 3 post I'll elaborate on the first film of the evening, Katalin Varga, but first I had to rush home and tell you about a MUST SEE film for Saturday.
Beware. This film is fantastic.
And I don't say that too often. In fact, that's what I'm loving about the film festival - finally not being burned. I can't tell you how many times in the past year I've gone to a mainstream film and been disappointed. So far, I haven't been disappointed by any films I've seen at the festival.
So, I repeat.
This.
Film.
Is.
Extraordinary.
Hipsters
This 2008 Russian musical takes place in 1955 Moscow - the height of Communist power - where a subsect of Russian youth adopt Western pop culture, even under fear of ostracism, beatings, and arrest.
On the surface it's a love story, but at heart it's a tribute to a culture I'm not sure we Americans can fully comprehend.
Can you imagine living your life as you are right now, but with the constant fear that it will land you in jail, or worse? Would you have the courage to dress as you do, or more, say the things you do if it meant social and political ostracism, usually directly tied to the future well-being of you and your family?
But that's not entirely what makes this film so fabulous.
The cinematography is absolutely a feast for the eyes, and it does for 1955 Moscow what Mad Men does for 1960's New York.
Furthermore, the music is divine. You don't have to understand Russian to want to buy this soundtrack, play it ad nauseum, and sing along at the top of your lungs.
Go.
See.
This.
Film!
Saturday, October 2nd - 9:15 PM
Oriental Theater, Milwaukee
(You can see it right after The Milwaukee Show and right before The Best Damn F*#@ing Midnight Program Ever. Sh*t. to round out a truly spectacular Saturday night)
Beware. This film is fantastic.
And I don't say that too often. In fact, that's what I'm loving about the film festival - finally not being burned. I can't tell you how many times in the past year I've gone to a mainstream film and been disappointed. So far, I haven't been disappointed by any films I've seen at the festival.
So, I repeat.
This.
Film.
Is.
Extraordinary.
Hipsters
This 2008 Russian musical takes place in 1955 Moscow - the height of Communist power - where a subsect of Russian youth adopt Western pop culture, even under fear of ostracism, beatings, and arrest.
On the surface it's a love story, but at heart it's a tribute to a culture I'm not sure we Americans can fully comprehend.
Can you imagine living your life as you are right now, but with the constant fear that it will land you in jail, or worse? Would you have the courage to dress as you do, or more, say the things you do if it meant social and political ostracism, usually directly tied to the future well-being of you and your family?
But that's not entirely what makes this film so fabulous.
The cinematography is absolutely a feast for the eyes, and it does for 1955 Moscow what Mad Men does for 1960's New York.
Furthermore, the music is divine. You don't have to understand Russian to want to buy this soundtrack, play it ad nauseum, and sing along at the top of your lungs.
Go.
See.
This.
Film!
Saturday, October 2nd - 9:15 PM
Oriental Theater, Milwaukee
(You can see it right after The Milwaukee Show and right before The Best Damn F*#@ing Midnight Program Ever. Sh*t. to round out a truly spectacular Saturday night)
Thursday, September 30, 2010
#mff2 Part 1 - Opening Weekend
Last week I shared my anticipatory Milwaukee Film Festival schedule that included a - for me - quite strenuous run of films.
Well, it's a woman's prerogative to change her mind. More importantly, if you know me, then you know I'm a bit on the spontaneous side and not wont to follow a schedule too closely.
Therefore, I must now present to you my actual Milwaukee Film Festival schedule - as has happened thus far, and broken down into 3 parts for your reading pleasure. Here is Part 1 - Opening Weekend.
Blue Valentine
I'm not sure how I feel about this film. That I'm still trying to work it out should tell you something favorable. Michelle Williams and Ryan Gosling gave great performances - genuine, heartfelt, and all those other buzzword accolades you've likely been hearing.
But I'm just not sure how I feel about this film.
For one, I'm not sure that I ended up where I was supposed to. I heard two reactions from my non-random sampling of friends who saw the screening - either they were right there with the film to the very end, or they were like me and left convinced there's more to the story.
If the former is supposed to be the case, then I don't buy it and I think the plot is too simplistic and easy to be the gritty, honest, intimate portrayal of a relationship that it's been billed to be.
If the latter is the case, then I think it truly is a thought-provoking film - as evidenced by my continued musings, 6 days after the screening. If the end - rather than wrapping up the dual-timeline plot - is instead meant to leave us wondering, hoping, and drawing our own conclusions...then I think it truly is an honest view of falling in and out of love. Because that process is never ending, always evolving, and, ultimately, leaves you questioning.
Kids Shortz: Size Medium
They tell you when you sign up to volunteer with the film festival that you won't be able to see any films while you are actually volunteering. This is probably more true than not, but I was fortunate enough to be able to jump in the theater during a slow morning.
Not only is this the first year North Shore Cinema is screening, it is also the first year for the Children's Festival, which includes films, shorts, education, and activities.
My thoughts on the Size Medium (ages 7+) shorts:
Favorites: Story
Cherry on the Cake
This story of the plight of the middle child made me scrunch up my face, hold my breath, and try not to bawl like a baby. I'm no middle child, but the metaphor of poor little Cherry getting smaller and smaller as her family ignores her on her birthday is one that any of us can relate to.
Gerald's Last Day
It's clear why some of these shorts are meant for older children and not the toddler set. Poor, fat (but cuddly) Gerald has one more day to find an owner and doesn't seem to be having much luck. Personally, this short made me want to run to the humane society and adopt every animal on site. Don't worry, though, the end is a happy one.
Sooner or Later
This cute little film is about two formerly solitary animals - one nocturnal, one not - coming together when the world experiences a little hiccup and time gets a bit, er, rescheduled.
Favorites: Humor
KFJG
Don't you just love it when they put 'em on YouTube?
Pigeon: Impossible
Yep, totally awesome.
Favorites: Art & Style
Breaking the Mould
Life through the eyes of an apple. Not what you'd normally think of as an enticing short film, but it is harvest season in Wisconsin, and I do love myself some cider.
View it here.
Life Leaf
This was my absolute favorite of the bunch. As the description says, "a little girl finds the whole world inside of a leaf." It's a great metaphor for our interconnected natural world. You can read environmentalism and conservation into it if you want. The Pacific Northwest aboriginal artwork is absolutely breathtaking.
You can read an interview with the award-winning animator and creator here.
FYI - If I could buy the soundtrack for each of these short films - or if they could be packaged together in one low, Milwaukee film festival price, then I would pay whatever you wanted me to...within reason, if I'm being honest.
Azur & Asmar
I heard this film was beautiful, but that just doesn't do it justice.
If they sold framed prints of the film's screenshots I'd buy them and decorate my house.
Wasteland
This film has won so many audience awards you know something's gotta be right. The documentary balances just the right amount of humanity with education and technical merit. It was filmed over three years, primarily in Gramacho Garden - the ironically named world's largest garbage dump, and even with the lowly setting still manages to be beautiful. It's as much a story of the individuals who work as recyclables pickers as it is of world-reknown artist, Vik Muniz, as he struggles with the documentarian's greatest dilemma - how to share the important stories of others without fundamentally changing their lives.
Ultimately, lives are changed - some for the better, some not. Above all, I think the greatest accomplishment of this film, is showing how much beauty can be found in what we perceive to be garbage.
It's films like this one that make me proud to live in a city with such a fantastic arts and culture community. The Milwaukee Film Festival is just one example of an organization giving us the means to change our perspectives and learn more about global issues through art.
I'll elaborate more on this in #mff2 Part 2, but I encourage you to get out to the cinema while there's still time and see some films you likely won't get the chance to see elsewhere. Challenge yourself - your tastes, your perspectives, what you thought you knew about the world.
Give these films a chance, but most of all, support the rich arts and culture community in Milwaukee.
Well, it's a woman's prerogative to change her mind. More importantly, if you know me, then you know I'm a bit on the spontaneous side and not wont to follow a schedule too closely.
Therefore, I must now present to you my actual Milwaukee Film Festival schedule - as has happened thus far, and broken down into 3 parts for your reading pleasure. Here is Part 1 - Opening Weekend.
Blue Valentine
I'm not sure how I feel about this film. That I'm still trying to work it out should tell you something favorable. Michelle Williams and Ryan Gosling gave great performances - genuine, heartfelt, and all those other buzzword accolades you've likely been hearing.
But I'm just not sure how I feel about this film.
For one, I'm not sure that I ended up where I was supposed to. I heard two reactions from my non-random sampling of friends who saw the screening - either they were right there with the film to the very end, or they were like me and left convinced there's more to the story.
If the former is supposed to be the case, then I don't buy it and I think the plot is too simplistic and easy to be the gritty, honest, intimate portrayal of a relationship that it's been billed to be.
If the latter is the case, then I think it truly is a thought-provoking film - as evidenced by my continued musings, 6 days after the screening. If the end - rather than wrapping up the dual-timeline plot - is instead meant to leave us wondering, hoping, and drawing our own conclusions...then I think it truly is an honest view of falling in and out of love. Because that process is never ending, always evolving, and, ultimately, leaves you questioning.
Kids Shortz: Size Medium
They tell you when you sign up to volunteer with the film festival that you won't be able to see any films while you are actually volunteering. This is probably more true than not, but I was fortunate enough to be able to jump in the theater during a slow morning.
Not only is this the first year North Shore Cinema is screening, it is also the first year for the Children's Festival, which includes films, shorts, education, and activities.
My thoughts on the Size Medium (ages 7+) shorts:
Favorites: Story
Cherry on the Cake
This story of the plight of the middle child made me scrunch up my face, hold my breath, and try not to bawl like a baby. I'm no middle child, but the metaphor of poor little Cherry getting smaller and smaller as her family ignores her on her birthday is one that any of us can relate to.
Gerald's Last Day
It's clear why some of these shorts are meant for older children and not the toddler set. Poor, fat (but cuddly) Gerald has one more day to find an owner and doesn't seem to be having much luck. Personally, this short made me want to run to the humane society and adopt every animal on site. Don't worry, though, the end is a happy one.
Sooner or Later
This cute little film is about two formerly solitary animals - one nocturnal, one not - coming together when the world experiences a little hiccup and time gets a bit, er, rescheduled.
Favorites: Humor
KFJG
Don't you just love it when they put 'em on YouTube?
Pigeon: Impossible
Yep, totally awesome.
Favorites: Art & Style
Breaking the Mould
Life through the eyes of an apple. Not what you'd normally think of as an enticing short film, but it is harvest season in Wisconsin, and I do love myself some cider.
View it here.
Life Leaf
This was my absolute favorite of the bunch. As the description says, "a little girl finds the whole world inside of a leaf." It's a great metaphor for our interconnected natural world. You can read environmentalism and conservation into it if you want. The Pacific Northwest aboriginal artwork is absolutely breathtaking.
You can read an interview with the award-winning animator and creator here.
FYI - If I could buy the soundtrack for each of these short films - or if they could be packaged together in one low, Milwaukee film festival price, then I would pay whatever you wanted me to...within reason, if I'm being honest.
Azur & Asmar
I heard this film was beautiful, but that just doesn't do it justice.
If they sold framed prints of the film's screenshots I'd buy them and decorate my house.
Wasteland
This film has won so many audience awards you know something's gotta be right. The documentary balances just the right amount of humanity with education and technical merit. It was filmed over three years, primarily in Gramacho Garden - the ironically named world's largest garbage dump, and even with the lowly setting still manages to be beautiful. It's as much a story of the individuals who work as recyclables pickers as it is of world-reknown artist, Vik Muniz, as he struggles with the documentarian's greatest dilemma - how to share the important stories of others without fundamentally changing their lives.
Ultimately, lives are changed - some for the better, some not. Above all, I think the greatest accomplishment of this film, is showing how much beauty can be found in what we perceive to be garbage.
It's films like this one that make me proud to live in a city with such a fantastic arts and culture community. The Milwaukee Film Festival is just one example of an organization giving us the means to change our perspectives and learn more about global issues through art.
I'll elaborate more on this in #mff2 Part 2, but I encourage you to get out to the cinema while there's still time and see some films you likely won't get the chance to see elsewhere. Challenge yourself - your tastes, your perspectives, what you thought you knew about the world.
Give these films a chance, but most of all, support the rich arts and culture community in Milwaukee.
Wednesday, September 29, 2010
Happy #NationalCoffeeDay!
Enjoy with your favorite cup.
Myself, I like my coffee like I like my men.
Strong.
I'd say I like my coffee like I like my soul (black), but that's not really true.
Monday, September 27, 2010
Best Weekend Ever
This weekend happened to be the best weekend ever. Pretty strong words, coming from a gal who lives in the land of summertime festivals, free music, and outdoor livin'.
But it's true.
Here's what happened.
Saturday: #mff2
Saturday was a day spent with the Milwaukee Film Festival at the North Shore Cinema. This is the first year the Mequon theater took part. I started the day with a volunteer shift - helping the little kiddos get to their shorts programs. I also then got to view some of the shorts. As will happen during the first time for anything, technical difficulties were kind of a problem at North Shore. Not to worry, festival-goers. This volunteer doesn't mind "working" an extra hour when it means she can sit in on Azur & Asmar to ensure no other technical difficulties arise.
I heard this film was beautiful, but that didn't prepare me for what ended up being the most delicious treat for my retinas. My rods and cones still won't stop complaining about how real life - even Wisconsin in all it's fall glory - can't compare to the breathtaking artwork in this film. Crotchety ol' visual acuity sensors.
After this viewing, I turned in my volunteer time for a movie voucher, promptly purchased a ticket to Wasteland, and used my film festival coupon to Zaffiro's for some pizza before the show started. Seriously, Milwaukee Film, you're awesome for being so affordable.
Wasteland was, in a word, incredible. If I had two words I'd call it incredibly heartbreaking. Seriously. The lady next to me was bawling throughout most of the film. Vik Muniz is amazing, and even more amazing are the folks he worked with to create this documentary.
All accolades are very well deserved. If you have the chance, go see the second or third screening of this film:
Thursday, September 30
Oriental Theater
5:00 PM
Saturday, October 2
North Shore Cinema
12:15 PM
Sunday: Go Brewers!
I was lucky enough to get free tickets this weekend to the Brewer's last home game (Thanks Shotz!). I knew the seats would be good when my contact said to pick them up at Will Call 6, we get there, and it's the VIP window. Sure enough...
That's the view from my seat of the bratwurst losing the Sausage Relay.
The Brewers won 7-1, Trevor Hoffman got to take a bow, so did Prince - in what may have been his last home game as a Brewer - and Ryan Braun received a nice standing 0. Michael Hunt of the Journal Sentinel gives a nice perspective on it.
Following the Brewers game, if you don't watch it and so didn't know, was the season premiere of Dexter. Last season ended with one heckuva mindf***, and it was interesting to see where we think they might take it. If you don't watch the show, I'd say catch up online, but you can't do that with premium cable channels. I don't know why. They'd make a mint. But you can at least Netflix the last two seasons.
And thus ended the coolest weekend of Twenty Ten. Here's looking foward to the rest of this week, which is sure to be a grand time as well.
But it's true.
Here's what happened.
Saturday: #mff2
Saturday was a day spent with the Milwaukee Film Festival at the North Shore Cinema. This is the first year the Mequon theater took part. I started the day with a volunteer shift - helping the little kiddos get to their shorts programs. I also then got to view some of the shorts. As will happen during the first time for anything, technical difficulties were kind of a problem at North Shore. Not to worry, festival-goers. This volunteer doesn't mind "working" an extra hour when it means she can sit in on Azur & Asmar to ensure no other technical difficulties arise.
I heard this film was beautiful, but that didn't prepare me for what ended up being the most delicious treat for my retinas. My rods and cones still won't stop complaining about how real life - even Wisconsin in all it's fall glory - can't compare to the breathtaking artwork in this film. Crotchety ol' visual acuity sensors.
After this viewing, I turned in my volunteer time for a movie voucher, promptly purchased a ticket to Wasteland, and used my film festival coupon to Zaffiro's for some pizza before the show started. Seriously, Milwaukee Film, you're awesome for being so affordable.
Wasteland was, in a word, incredible. If I had two words I'd call it incredibly heartbreaking. Seriously. The lady next to me was bawling throughout most of the film. Vik Muniz is amazing, and even more amazing are the folks he worked with to create this documentary.
All accolades are very well deserved. If you have the chance, go see the second or third screening of this film:
Thursday, September 30
Oriental Theater
5:00 PM
Saturday, October 2
North Shore Cinema
12:15 PM
Sunday: Go Brewers!
I was lucky enough to get free tickets this weekend to the Brewer's last home game (Thanks Shotz!). I knew the seats would be good when my contact said to pick them up at Will Call 6, we get there, and it's the VIP window. Sure enough...
That's the view from my seat of the bratwurst losing the Sausage Relay.
The Brewers won 7-1, Trevor Hoffman got to take a bow, so did Prince - in what may have been his last home game as a Brewer - and Ryan Braun received a nice standing 0. Michael Hunt of the Journal Sentinel gives a nice perspective on it.
Following the Brewers game, if you don't watch it and so didn't know, was the season premiere of Dexter. Last season ended with one heckuva mindf***, and it was interesting to see where we think they might take it. If you don't watch the show, I'd say catch up online, but you can't do that with premium cable channels. I don't know why. They'd make a mint. But you can at least Netflix the last two seasons.
And thus ended the coolest weekend of Twenty Ten. Here's looking foward to the rest of this week, which is sure to be a grand time as well.
Thursday, September 23, 2010
#socialgood Day
For those of you not into the whole "social media thing," you may not know that today is Social Good Day. In an effort brought to you by @mashable and @joinred, we are asked to put on our thinking caps and use our collective brain power to "unleash fresh thinking about how social media can raise awareness and create solutions for social issues around the world."
The great news is that our dear Milwaukee community is far ahead of the times. If you're not in the Twitterverse, check out Sue Spaight's blog post that recaps how Milwaukee's Twitter community banded together to save Tim, Jess, and Clara Cigelske of Teecycle.org. The Cigelske's home was - for all intents and purposes - destroyed during the Brew City Flood. Folks on Twitter got word of it, and came together to put on a fantastic - and effective - fundraising event, helping them to pick up the pieces and rebuild.
This example was the result of a process that happened organically, but what if we harnessed the power of these "activaters" to do something just as awesome on a regular basis?
The Idea:
Wouldn't it be great if Milwaukee's Twitter community came together every month (or so) for the purposes of social good? There are so many people struggling in our area, that surely we can utilize our collective networks to make a difference on an ongoing basis.
Monthly meetups of interested and connected Tweeters could be the grounds for social good planning.
Individuals who are struggling could informally propose their issue (statement of the problem) and craft a possible solution (action steps for the Twitter community) using free software like Scribd, Issuu, Slideshare, Prezi, and others. This would help others vet each proposal and choose a recipient.
Milwaukee tweeps could then use an online polling system to choose a #socialgood recipient. With regular, small-scale, local #socialgood successes, we could make a huge difference for Milwaukee.
You can read more about Social Good Day here.
If you have ideas for Social Good Day, or if your organization is already doing something great, then tweet it using the hashtag #socialgood.
The great news is that our dear Milwaukee community is far ahead of the times. If you're not in the Twitterverse, check out Sue Spaight's blog post that recaps how Milwaukee's Twitter community banded together to save Tim, Jess, and Clara Cigelske of Teecycle.org. The Cigelske's home was - for all intents and purposes - destroyed during the Brew City Flood. Folks on Twitter got word of it, and came together to put on a fantastic - and effective - fundraising event, helping them to pick up the pieces and rebuild.
This example was the result of a process that happened organically, but what if we harnessed the power of these "activaters" to do something just as awesome on a regular basis?
The Idea:
Wouldn't it be great if Milwaukee's Twitter community came together every month (or so) for the purposes of social good? There are so many people struggling in our area, that surely we can utilize our collective networks to make a difference on an ongoing basis.
Monthly meetups of interested and connected Tweeters could be the grounds for social good planning.
Individuals who are struggling could informally propose their issue (statement of the problem) and craft a possible solution (action steps for the Twitter community) using free software like Scribd, Issuu, Slideshare, Prezi, and others. This would help others vet each proposal and choose a recipient.
Milwaukee tweeps could then use an online polling system to choose a #socialgood recipient. With regular, small-scale, local #socialgood successes, we could make a huge difference for Milwaukee.
You can read more about Social Good Day here.
If you have ideas for Social Good Day, or if your organization is already doing something great, then tweet it using the hashtag #socialgood.
Wednesday, September 22, 2010
MKE Film Festival
Okay Milwaukeeans, get your butts and popcorn buckets ready and put your cell phones on vibrate...tomorrow is the beginning of the 2010 Milwaukee Film Festival.
Here are my selections. I'm doing my "going to the movies alone" thing, which I know some of you find weird. Feel free to join me if one of these spikes your interest.
The best part? I'm volunteering for free tickets. Thank you, Milwaukee Film for being so awesome and affordable.
September 23
Blue Valentine 7:00 p.m.,
Opening Night Party @ Discovery World
A film about "...falling in love - and out of love," this opener will be the meat of my Happy Hour sandwich - Von Trier's before the show, and opening night party at Discovery World afterward.
September 24
Baraboo 7:30 p.m.
Small town WI? Check. Past it's peak resort town? Check. Disillusioned residents? Check. Anyone with me? (check)
September 26
It's Kind of a Funny Story
I'm a fan of Zack Galifianakis, and this film, which takes place in a psychiatric ward and also includes Emma Roberts, Aasif Mandvi, and Jim Gaffigan, is a "darkly humorous coming-of-age story" that I'm excited to see.
Note: I'd also love to see Waiting for "Superman," but it's sold out.
Editor's Note 9/23/10: Since I can probably see It's Kind of Funny in theaters (aka: matinee ticket prices), I think I'm going to see Kings of Pastry 4:15 p.m. instead. Yes, I could see both in one day, but I'm on a budget.
Tuesday September 28
Cooking History 3:15 p.m.
Food Network if it's cooking shows took place in Europe. During wars. And I can actually make it to this one; I just have to see if I can leave work half an hour early.
September 30
Katalin Varga 4:30 p.m.
Mostly because it was shot throughout the Romanian countryside and Carpathian mountains.
Sidenote: Gosh, I'm a sucker for anything that relates to Eastern Europe...
October 2
The Best Damn F*#&ing Midnight Program Ever. Sh*t. Midnight. Duh.
As the promo says, the title says it all.
October 3
Feed the Fish
How wisely they schedule this showing, leaving enough of a cushion after the Packer game that we can still get to the theater to see this WI film. Naturally, this one is sold out, but I might try rush tickets - along with hundreds of my fellow Wisconsinites, no doubt.
other October 3rd options, considering the likelihood of Feed the Fish rush tickets is nil:
About Elly 11:00 a.m.
Budrus 3:00 p.m.
I'll also be volunteering at the North Shore Cinema THIS SATURDAY from 9:30 a.m. - 1:00 p.m. if you'd like to stop by and see me.
Here are my selections. I'm doing my "going to the movies alone" thing, which I know some of you find weird. Feel free to join me if one of these spikes your interest.
The best part? I'm volunteering for free tickets. Thank you, Milwaukee Film for being so awesome and affordable.
September 23
Blue Valentine 7:00 p.m.,
Opening Night Party @ Discovery World
A film about "...falling in love - and out of love," this opener will be the meat of my Happy Hour sandwich - Von Trier's before the show, and opening night party at Discovery World afterward.
September 24
Baraboo 7:30 p.m.
Small town WI? Check. Past it's peak resort town? Check. Disillusioned residents? Check. Anyone with me? (check)
September 26
It's Kind of a Funny Story
I'm a fan of Zack Galifianakis, and this film, which takes place in a psychiatric ward and also includes Emma Roberts, Aasif Mandvi, and Jim Gaffigan, is a "darkly humorous coming-of-age story" that I'm excited to see.
Note: I'd also love to see Waiting for "Superman," but it's sold out.
Editor's Note 9/23/10: Since I can probably see It's Kind of Funny in theaters (aka: matinee ticket prices), I think I'm going to see Kings of Pastry 4:15 p.m. instead. Yes, I could see both in one day, but I'm on a budget.
Tuesday September 28
Cooking History 3:15 p.m.
Food Network if it's cooking shows took place in Europe. During wars. And I can actually make it to this one; I just have to see if I can leave work half an hour early.
September 30
Katalin Varga 4:30 p.m.
Mostly because it was shot throughout the Romanian countryside and Carpathian mountains.
Sidenote: Gosh, I'm a sucker for anything that relates to Eastern Europe...
October 2
The Best Damn F*#&ing Midnight Program Ever. Sh*t. Midnight. Duh.
As the promo says, the title says it all.
October 3
Feed the Fish
How wisely they schedule this showing, leaving enough of a cushion after the Packer game that we can still get to the theater to see this WI film. Naturally, this one is sold out, but I might try rush tickets - along with hundreds of my fellow Wisconsinites, no doubt.
other October 3rd options, considering the likelihood of Feed the Fish rush tickets is nil:
About Elly 11:00 a.m.
Budrus 3:00 p.m.
I'll also be volunteering at the North Shore Cinema THIS SATURDAY from 9:30 a.m. - 1:00 p.m. if you'd like to stop by and see me.
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